Some Tibetan friends often ask me: "How do you tell the difference between ceramic 'thief light' and 'Baoguang'?" In some books, or experts have talked on TV: "Baoguang" is from the inside The outside is like a jade that is warm, guilty, and eye-catching; and the "thief light" is a superficial, flamboyant, glare-sounding light...for those who have not yet started, or who have entered the door of ancient ceramic collections. In fact, these arguments still make them scratch their heads.
For example, it is said that "Baoguang" is as warm as jade, and there are Hetian, Russia, Afghanistan... and new jade, old jade, high ancient jade, jade jade, unearthed, handed down, pitted, cooked Which one is it? Because it is not clear, it makes the beginners feel at a loss, in the clouds. For example, "thief light" is the light floating on the surface, and it is bright and glaring, like glassy luster. However, if the high-grade porcelain of the millennium is placed in a good environment, it will not be soiled by acid and alkali, and it will also be glass. Like the luster, which makes the beginners smash!
In addition, there are many kinds of porcelain, and the same kiln has different colors of glaze, blue and white, and painted. The gloss is different. Even in the same kiln, the same era, the same variety of porcelain, due to the different placement environment. Give off a different luster. I used to explain the above-mentioned theory when explaining the luster of ancient ceramic glaze bread to my first-time friends. At most, the feeling of ''Baoguang' is that the glazed surface is thick, like oil and fat from the glaze. It’s like oozing... But many people still can’t imagine its characteristics. When it comes to practice, it’s not sure what to expect. What is the reason? My understanding is: compare with the real thing, then beautiful words They are all poor and powerless. This is simply relying on theoretical shortcomings!
I have discussed with some ancient ceramic identification experts about the interpretation of "Baoguang" and "thief light". In addition to the concepts I mentioned earlier, one said: "The glaze of old porcelain must leave friction. Traces like metal matte, like the surface of frosted glass, without glare, especially those that have no trace of wear and tear, are new.†Another said: “Those who faked deliberately made new porcelain Dirty, so pay attention to seeing particularly dirty, often new." These have some examples to prove, but still do not completely explain "thief light" and "Po Guang".
Indeed, it is important to grasp the new and old differences in the luster of the glaze, and the difference between them is also the most difficult gap for the counterfeiters. I think that the only correct way to truly understand the difference between "thief light" and "baoguang" is to look at the fine, sharp and rare real things, and also to look at some new imitations. Detailed comparison, see more, the mind naturally left a deep imprint: which gloss must be old, which kind of light must be a new imitation. Of course, the luster of the glazed surface can only indicate the new and old of the utensils. As for determining the generations of He and the dynasty, it is necessary to combine the elements of ornamentation, modeling, circle, and carcass to make accurate conclusions.
In fact, the most prone to dissent is the fine, pointed and rare, such as the new official kiln, the "Baoguang" of these items is often denied by inexperienced people. I have contacted a few people with unique eyesight, such as Liu Xinyuan. He can almost break the dynasty in a single trip, and there will be basically no mistakes. Like Dr. Bi Zongtao, standing outside the glass cabinet can also identify the old and the new and the vintage. It can be seen that the difference between "thief light" and "baoguang" is clear in their eyes. If you must let them tell the reason, I am afraid that only Can be described as I described at the beginning of this article. The same description is made by different people who will have different perceptions, which are determined by different cultivation, learning and understanding skills.
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