Chanel House Reveals Fashion Queen's Private Space

“CHANEL is a style, fashion is constantly changing. Style and fashion are different concepts.” - Ms. Chanel

The Chanel Residence at 21, Kang Pin Street, has always been the place of fashion, both at the time and now. It is also the Chanel style Chanel camp.

Nearly a century ago, at 21 Cambon Street in Paris, Ms. Chanel owned her own world of ivory towers, an apartment that never stayed, and an upstairs studio where she rarely left. And her bedroom is in the Ritz hotel suite across from Kangpeng Street. On the beige door, you can still see the words "Mademoiselle Privé" that has never faded with time. Although he did not specify who is the lady, who is the fashion queen who has influenced the fashion industry for more than half a century. The word written in bold type, guarding the unique style of the Chanel Empire founder's unique space, while other fashion brands rise and fall at the same time, Chanel's name has always been at the forefront of contemporary fashion.

On behalf of Chanel's image, in addition to her mixed use of CHANEL letters, double C motifs, and black and white gold, there are repetitions of Pop Art's pioneering creation of pop art, literary attainments, masculine personality and extreme feminization. The qualities of temperament, brown hair, leanness, bronze skin, and poetic aphorism are not sentimental qualities. From Mademoiselle to Gabrielle, to Coco Coco, and finally to Chanel, she has elevated herself to the highest level of fashion. Not only that, she was one of the few people who had a significant influence on the history of the 20th century in an era when everything had to be reshaped.

Golden Temple

The golden element runs through Chanel’s apartment on Kangpeng Street. From the entrance, all kinds of golden lights are like sunsets. They are hazy and dip in every corner of the room. From the Venetian Moor statue at the entrance to a pair of gold boots full of gold-tone fabrics, to the living room French-style wooden gold-plated beige suede armrests, the complete form of a cluster of golden ears presented by a glass table stand. The restaurant can be seen everywhere with golden scallop trays, gold ashtrays, golden lions, various golden hollow carved lacquer or figure frames, and dazzling gold and yellow flowers and birds, insects, pavilions, and landscape characters on lacquered wooden screens. Even painted gold canvas was attached to the walls of each apartment. From bronze, brown, dark gold to bright golden yellow, bronze, lacquer, fabric, gold, gold, gold, alloy, all kinds of materials and techniques, just like the fate of the three goddesses will be past, present, In the same spirit as the future, Chanel's apartment still has a non-replicable image and style until a hundred years later.

The gold belonging to the emperor is the epitome of Chanel's lifelong pursuit. The golden chain on the classic Chanel Quilted Shoulder Bag became one of the symbols of Chanel's comeback in the 1950s. Chanel No.5 perfume has created one of the world's most famous perfume legends. In 1921, in the bottle with a small bottle stopper, simple in design and numbered, the golden rippling liquid was brewed out with a mystical formula of more than 80 ingredients, exuding abstract and unspeakable fragrance.

Chanel was a master of classicalism, but on this basis, she also created an unquestionable popular taste and became the pioneer of the minimalist style. This kind of profound and awe-inspiring, yet simple and charming image is the feeling that Chanel has left for the world, and gold has become the best interpretation of various levels of character charm. Avant-garde philosophers who can read the works of Rousseau, Voltaire, and the ancient Roman thinker Saint Augustin, one for Worth, Paquin, and the great Paul? Paul Poiret is a captivating strange woman, a social queen who can invite Parisian literary celebrities such as Dali and Picasso to become guests. One can be Greta Garbo. The top masters such as Jeanne Moreau dress up, what is more noble, deep and rich gold can represent her classic elegance, light and free rhythm. In this space, which is not vivid in itself, Ms. Chanel tried to place her best with the colorful passion and a large number of glorious classical collections. The time that started from the Kangpeng Street in Paris was engraved in this youthful eternal life. Mysterious palace.

White light

White embellishment becomes a blank and minimalist display of the apartment building on Kangpeng Street. White is a symbol of light and hope. “Comfort is shaped and love is coloured.” Ms. Chanel, a young girl from the town bar stationed by the Moulins army, was lean, with deep eyes and a handsome face, with “Coco Coco” "This stage name gradually opened its popularity. At first, he participated in equestrian training and advanced custom clothing. With the appearance of Boy Capel, Chanel decided to become a female hat designer. This change also opened her avenue to freedom of design. From the boutiques in Deauville on the northern coast of France to the Rue Cambon in Paris, Chanel made Paris a devil in just a few years.

White satin armchairs, gorgeous white mirrors and glittering jewellery crystal chandeliers in every room, tassels carved by diamond cutting method, crystal candlesticks made of camellia, dense white curtains in the living room, and quiet white shades. Big white tulips, eight white Louis Vuitton leather chairs in the restaurant, a white marble statue bustling in a cloak over the fireplace, and a British missionary by Boy Capel. Uncle is a prototype. The magic mirror not only reflects the gorgeousness of the middle layer of the room, but also makes the space and depth of the house unpredictable. The large area of ​​white, complete and simple form and body shape and texture make Chanel's space full of historical sense to be simple and neat, full of modernism and romanticism, allowing visitors to fully understand One world is ending and the other is starting."

As Chanel found inspiration from Egyptian dancers, ancient Greek shepherdesses and blouses who wore schoolgirls in blouses who were roaming the countryside, when people laughed at the delicate and anti-traditional woman with a sense of superiority. How many people can foresee that the low-key luxury she deliberately created and her favorite minimalist style will become the most exquisite and influential elitism. This bright influence will affect the clothing of women all over the world in the next 50 years. , even their thoughts and behaviors.

Black shadow

Black, whether it is straight lines or sturdy shapes, it seems that Chanel's rhythm and destiny are the same. Born on the 19th, the ending of the work was named No.19 perfume. The fashion queen who seemed to be the perfect curtain call was a rough one and was rugged. Born in a city in the Loire Valley of France, Chanel’s life experience has become a mystery forever because there is no documented identity. In the early years of the monastery life, under the black robe, she learned how to behave like the nuns and the simple and rigorous nuns, but at the same time learned to endure silence and loneliness.

"Women are all considering the colors of all colors. Black is all-inclusive and white is also the same. Their beauty is impeccable and absolutely harmonious." It is this fearless attitude towards black that allows Chanel to easily grasp the minimalist but elegant style. It is unique under a conservative social atmosphere.

No matter how busy it is, the entrance to the apartment is always the first step to go home. Like her early black beaded flat top hat design and the small, black-headed, flat-bottomed two-tone shoes after the age of 70, the black door frame on the entrance porch and the ebony screen nailed to the wall symbolize the deconstruction of classical and traditional alternatives. Since Chanel’s accidental discovery of an antique ebony-lacquer antique screen called "lost joy" from an antique shop in the countryside, she has continued to collect more than 32 faces in her consistent style of perfectionism. These extensive exotic screens, the essence of a thousand-year-old civilization, have become the background of a fashionable woman. She did prove in many ways that her abilities and interests were far beyond these traditions.

In the living room, Dali specially painted a small piece of wheat oil painting with a height of almost no more than a book and a black background, and the controversial cubism of Lipchitz from the 1920s. ) The carved black bronze male and female double deer sculpture is placed in front of the fireplace, the fluctuating black square feet, the desk is filled with the court-like black folding fan, the black lacquered marble dining table, and even the slender black branches A chandelier with hidden camellia, the lucky number “5”, the brand’s double “C” logo, her own name Gabrielle’s “G”, and the lucky symbol representing the Westminster Duke of Westminster’s “W” All exudes mysterious and bold naughty temperament. "I'm a lie maker who tells the truth." - The paradoxical phrase of Jean Cocteau may be a portrayal of Chanel's fashion. She adds a low-key and simple note to luxury and classicism. It also predicted his brilliant and lonely life.

One of Chanel's most impressive photos is: She sits on the steps of the Kangpeng Street headquarters, surrounded by her favorite gold, crystal and ebony lacquer screens. Until the end of life, her golden, white and black intertwined style is still the subversive element, the eternal focus.

>>> Links: Visiting the Fashion Godfather Coco Chanel's Parisian Villa

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