The six genres of Chinese woodcarving

Wood carvings, as a traditional folk craft, have a long history that dates back to the Qin and Han dynasties. In China, there are six major styles of wood carving: Zhongyuan wood carving, Dongyang wood carving, Yueqing boxwood carving, Fujian Longan wood carving, Guangdong Golden Lacquer wood carving, and Yunnan Jianchuan wood carving. Each of these styles has developed its own unique characteristics over centuries. Zhongyuan wood carving reflects the essence of Central Plains culture, often influenced by the movement of political centers throughout history. Dongyang wood carving, originating in Zhejiang Province during the Song Dynasty, is known for its intricate patterns and elegant designs. Yueqing boxwood carving, which became prominent during the Qing Dynasty, specializes in small boxwood furnishings. Fujian Longan wood carving, famous for its use of natural tree roots, gained international recognition for its unique artistry. Guangdong Golden Lacquer wood carving, rooted in the Tang Dynasty, uses eucalyptus wood and is then painted with gold, creating striking visual effects. Yunnan Jianchuan wood carving is renowned for its fine craftsmanship, durability, and elegant style. Wood carving has been an important part of Chinese culture since ancient times. During the Shang and Zhou dynasties, the "six workers" and "eight talents" were responsible for various crafts, including wood carving, indicating its inclusion in state management. Early wood carvings were mainly used for ritual purposes, often decorated with painting, inlay, or carving techniques. During the Spring and Autumn and Warring States periods, wood carving was divided into different industries, such as architectural decoration, religious statues, and ceremonial objects. Many animal-shaped carvings were found in Han Dynasty tombs, depicting animals like oxen, sheep, horses, and even everyday items like carriages and boats. After the Jin Dynasty, puppetry emerged, with Fujian Puzhou puppets becoming well-known both domestically and internationally. From the Sui Dynasty to the Five Dynasties, Buddhist temple sculptures, including Buddhas, Bodhisattvas, and Arhats, became a significant part of wood carving art. The Tang and Song dynasties marked a golden age for Chinese craftsmanship, with woodcarving techniques becoming more refined. Many surviving Buddha statues from this period are considered masterpieces of ancient Chinese art, showcasing skilled carving, smooth lines, and expressive details. During the Ming and Qing dynasties, wood carvings often depicted themes of daily life and mythology. Popular motifs included Jiqing (blessings), Fengfeng (auspicious winds), Longfeng Chengxiang (dragon and phoenix harmony), Pingyi Ruyi (peace and good fortune), and Songhe Yannian (longevity and happiness). These carvings were widely appreciated and reflected the cultural values of the time. By this period, each wood carving tradition had also developed its own distinct artistic style, contributing to the rich heritage of Chinese woodcarving.

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