The six genres of Chinese woodcarving

Wood carvings, as a traditional folk craft, have a long history dating back to the Qin and Han dynasties. In China, there are six major types of wood carving: Zhongyuan wood carving, Dongyang wood carving, Yueqing boxwood carving, Fujian Longan wood carving, Guangdong golden lacquer wood carving, and Yunnan Jianchuan wood carving. Each of these styles has developed over centuries, forming unique artistic characteristics that reflect the cultural and regional identities of their origins. Zhongyuan wood carving, influenced by the Central Plains culture, spread along with political migrations. Dongyang wood carving, originating in Zhejiang during the Song Dynasty, is known for its intricate patterns and elegant structures. Yueqing boxwood carving, which gained prominence in the mid-Qing period, specializes in small-scale boxwood furnishings. Fujian's Longan wood carving, famous for its use of natural tree roots, has become a globally recognized art form. Guangdong’s golden lacquer wood carving, rooted in the Tang Dynasty, features eucalyptus wood decorated with gold paint, creating striking visual effects. Jianchuan wood carving, from Yunnan, is noted for its fine craftsmanship, durability, and refined aesthetic. Wood carving has been an important part of Chinese culture since the Shang and Zhou dynasties. Historical records mention the "six workers" and "eight talents" of the Yin and Zhou royal courts, indicating that woodcarving was already under state management. Early wood carvings were mostly used in rituals, often painted or inlaid. During the Spring and Autumn and Warring States periods, woodcarving was divided into specialized industries such as architectural decoration, religious statues, and ceremonial objects. Excavations from the Han Dynasty have uncovered numerous animal carvings, including cattle, sheep, horses, and even detailed figures like attendants, musicians, and warriors. After the Jin Dynasty, puppets began to appear, with Fujian's Puzhou puppets becoming well-known both domestically and internationally. From the Sui to the Five Dynasties, Buddhist temple statues became a significant focus of woodcarving, featuring Buddhas, Bodhisattvas, and Arhats. The Tang and Song dynasties marked a golden age for woodcarving, especially in temple architecture. Many ancient woodcarving Buddha statues from this era remain today, showcasing refined techniques, smooth lines, and expressive details. During the Ming and Qing dynasties, woodcarving themes often reflected daily life and mythological stories. Popular motifs included symbols of prosperity, longevity, and good fortune, such as "Jiqing," "Fengfeng," and "Longfeng Chengxiang." These pieces were widely appreciated and helped establish distinct styles among different regions. Woodcarving continued to evolve, becoming not only an art form but also a reflection of Chinese heritage and craftsmanship.

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